In 2013, Joshua Oppenheimer’s The Act of Killing stunned audiences, exploring the modern relevance of the 1965 Indonesian genocide by talking directly to the perpetrators – men who are still in positions of power. The Look of Silence followed up on the subject by turning to a more local setting – and to Adi Rukun.

Before he was born, Rukun’s brother was horrifically murdered during the Communist Purge of 1965. Fifty years later, he confronted the men responsible to find some kind of understanding, and maybe even forgiveness, for their actions. He was not only the centre of the documentary, but its driving force, insisting that Oppenheimer and his team follow him on this journey. In the current political climate of his  homeland, Rukun’s actions have put him in considerable danger.

Today, Rukun has released his first public statement (source: Indiewire):

As an optometrist, I spend my days helping people to see better. I hope to do the same thing through this film. I hope to help many people see more clearly what happened during the 1965 Indonesian genocide – a crime often lied about, or buried in silence. We, the families of the victims, have been stigmatized. We have been called “secret communists,” a “latent danger haunting society,” a spectre to be feared, a pestilence to be exterminated. We are none of those things.


I decided to make this film with Joshua because I knew it would make a difference – not only for my own family, but also, I hope, for millions of other victims’ families across Indonesia. I even hoped it would be meaningful to people around the world.


I wanted my image to be photographed, and my voice recorded, because images and sounds are harder to fabricate than text. Also, it would be impossible for me to meet every possible viewer, one by one, but images of me can reach people wherever they are. Even long after I’m gone.


I knew the risks I might face, and I thought about them deeply. I took these risks not because I am brave, but because I have been living in fear for too long. I do not want my children or, one day, my grandchildren to inherit this fear from me and my family.


Unlike the perpetrators, I do not ask that my older brother, my parents, or the millions of victims be treated as heroes, even though some deserve to be.
I just want my family to no longer be described as traitors in the school books. We never committed any crime. And yet my relatives and millions of others were tortured, disappeared, or slaughtered in 1965.


When I visited the perpetrators for the film, I had no desire for revenge. I came to listen. I hoped they would look into my eyes, realize that I am a human being, and acknowledge what they did was wrong. It was up to them to take responsibility for what they did to my family. It was up to them to ask forgiveness. If, instead, they choose to justify their crimes, adding to the noisy lies, we as a nation, living together in this same land, will have difficulty living together as neighbors in peace and in harmony.


Through “The Look of Silence,” I only wanted to show that we know what the perpetrators did. We know the truth behind their lies. And one day, the lies will be exposed.


Because we are no longer silent.

There’s a reason this individual topped our list for Best Heroes of 2015.

Oppenheimer adds:

The statement was prepared for Adi Rukun and my meetings with Senate Foreign Relations Committee and State Department Staff, where Adi was urging the United States and the Indonesian government to fully acknowledge their role in the 1965 Indonesian genocide. We were asking the United States to declassify all the documents pertaining to its role in the genocide, and to urge the Indonesian government to initiate a process of truth, reconciliation, and justice. We described the perpetrators’ rule of fear that has been in place in Indonesia – a rule that has continued in one form or another since 1965. We highlighted the terrible consequences of this fear, from slave-like labour conditions to annual forest fires set by military-backed plantation companies that completely undermine  international efforts to control climate change.


These meetings were set up by Human Rights Watch and Amnesty International, who held a screening of The Look of Silence to which State Department and Congressional staff were invited. Following the screening, Adi and I held a Q+A.

This is particularly interesting, as the involvement of the United States is an important part of these events, one that hasn’t been directly explored by these films yet (though one death squad leader remarks “America taught us to hate communists”). A number of countries were involved to some degree or another, from the U.S. to the Britain to Sweden, and so its an important film for all of us to see. If you haven’t seen it, make sure you do.

Featured Image: Drafthouse Films